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[Photo Courtesy: Vinod Ellamaraju Follow him on fb: https://www.facebook.com/VinodEllamaraju or like his
page: https://www.facebook.com/pages/Vinod-EL-Photography/121288604621056]
I finally realized why I am so mesmerized
by the full moon. Not for romance, not for his beauty, not for being the lone
light in a dark dark night. No.
Because I identify with him. Empty himself
and excruciatingly alone in the dark sky, with the self-lit stars being light years away, he does what he is best
at—he moonbeams what he is not onto others.
Art, at times, is in a sense, an artist’s
ability to reflect what she sees and senses. It is also a longing, a yearning to transmit
that light, that joy, that Being, which then collapses into a finite set of
strokes, notes, words. A collapse that always leaves a sense of having not
reached, having not attained, a collapse that trembles yearning onto the
flowers and human faces we photograph, quivering into the words that necklace, into the notes that lap into
melody.
And like the tides in the moonlit sea, emotions
surge and ebb, dangerously and irrationally at times. Once on a Rakhi Purnima
night, I sat with some of my friends with warm glasses of milk, on the edge of a
fisherfolk’s boat on the Puri Beach. We were listening to my friend perform alaap to
one of her favourite Indian classical compositions. The full-faced moon cradled
on the horizon was also listening intently to her sing, when all of a sudden the Bay of
Bengal arose in sudden fury and screamed through the beach engulfing us to
almost our waist, as we thrashed and half-ran our way out of it.
Yep, there is a price to pay sometimes.
.

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